Unlike the traditional concept of a mask as applied art, I perceive this object more as a stimulus for reflection. It responds to the gradual decline of traditions, especially in large cities, where they are losing their original value and meaning. Creating a practical mask for the 21st century, therefore, does not make sense to me – most of today’s holidays are primarily associated with excessive consumption and a consumerist lifestyle. Materials and methods are used today that would have been completely unthinkable in the past.
The design of the mask itself refers to the harsh living conditions of the pre-industrial era, when survival—particularly in mountainous areas—was extremely difficult. People often took on various forms and wore masks as a form of protection or ritual, often with spiritual or religious significance. These motifs are also reflected in the formal language of the object.
The aim of this work is to highlight the contrast between the past and the present – how we take comfort for granted today, and how easily we forget the original meaning and value of traditions.
