Line of trails

The triptych unites three parts into a quiet dialogue. The two outer panels are made of translucent, hand-dyed fabric stretched over frames. On them, shapes emerge from automatic drawing — each begins with a single line that transforms through repetition into calm, flowing forms. For me, they evoke a sense of peace and connection to the landscape. The central piece is cut from flat glass, colored blue, and engraved with delicate grooves. The glass acts as a cooler, more solid counterpoint, yet it connects the composition — a silent mirror between materials and layers of perception.